Latest News

  • Dominique Crenn for FSR Magazine & Marin Mag June Issue

    How cool is it that I get to watch the World's Best Female Chef rock out to music in front of my camera?! When I got the call from FSR Magazine to photograph Chef Dominique Crenn for the May 2017 cover story I was so ecstatic.  Although I had photographed her twice before I still get excited each time.  Knowing I would not have much time with her I immediately began researching ways to do the portrait and illustrate the story.  I requested to take a look at the story and noticed the writer had mentioned the importance of local farmers and produce.  I scouted her restaurant, Petit Crenn, and discovered a really nice board they use to put food on.  "I'll have her hold it with a bunch of produce on it," I thought.  So the day comes for the shoot and I present my idea to Crenn and she says, "Absolutely not."  Can't say I didn't try, but she made up for it by having so much fun on set and we mixed up the shots between being fun and a little more serious.  By coming to the table with ideas and being open to them being changed it made for a fun little adventure.  

    Besides the work for FSR please take a look at the work I did for the June issue of Marin Magazine.  Really good story titled "Recipe for Success", interviewing a number of Marin restaurants on what it takes to stay in business for more than a few years.  The answer was that it's a whole lot more than just good food.  I photographed three long-time restaurants in a photojournalistic style.

  • Setting Up For Success

    It may come as no surprise to know photography jobs take a ton of preparation.  It takes a great producer who knows the subject matter and all the right people to help get access to all the places we want to shoot. For one of my latest jobs I relied on producer Amy Silberman to help get it all done and make sure everything ran smoothly.  You'd be surprised at how many contacts Amy has around San Francisco and how much she knows about every little detail relating to pulling permits and renting spaces.  We were working with Lennar homes for their new San Francisco Shipyard project and the needs of the shoot included showing potential residents of this community living life: working, shopping, relaxing at home, etc.  Take a look at some of what we came up with and scroll down to the end where you can see some of the crew celebrating outside of our RV in the Mission District on the last day.  Also, here is a list of some of the things we juggled to make it all happen on this 3 day shoot in 10 locations around San Francisco:
    - Chartered a boat to show people commuting to downtown SF.
    - Rent a number of spaces; a restaurant, a workspace, a retail store, Tartine Manufactory.
    - Permits for photography on SF city streets.
    - Permit to photograph on the Muni platform.
    - Permit for Port Authority open space for outdoor shots.  
    - Permits and signs for parking an RV all around San Francisco.
    - Wardrobe, Prop, and Hair and Makeup.
    - Plan B in case it rained.
    - Manage 8 models and their schedules/wardrobe.
    - Catering and RV
    - Budgets, Call Sheets, and Crew Book
    Producer: Amy Silberman
    Prop and Wardrobe:  Lisa Moir, Deborah Dapolito
    Makeup and Hair: Veronica Sjoen
    Models:  Blackwell Files
    Photo Agent:  Freda Scott
  • All The Tasty Places

    San Francisco Travel Association calls on me when they want to continue building their image library to promote SF as a travel destination.  It’s such a blast because I get to shoot some of the city’s best places to indulge.  On our recent shoot we had on the list places like The Mill, 4505 Meats, La Taqueria, Plow, Samovar Tea, and Anchor Distilling.  Having lived in the city on and off for 20 years I know so many of the best things to do and places to eat around this town.

  • NanoBond Cookware

    I had the opportunity to shoot for a new cookware line rolling out called NanoBond, which was started by Stanley Cheng, the CEO of Meyer Corporation, the world’s second largest cookware company.

    We had two days to shoot 11 images. What a wonderful crew of stylists to work with, Natasha Kolenko and Erin Quon.

    It’s so important to have stylists that work well together, have a great sense of style, and who make the job much easier. It comes down to them having great taste, bringing great props to set, and having wonderful ideas for recipes and ingredients. It's as if Erin and Natasha were reading my mind and showing up on set with the perfect props and ingredients.  We had concepted and discussed the shots beforehand, but the two of them had this way of surprising you with little tricks they had up their sleeves.  

  • Great News All Around!

    Quite an eventful year this has been.  As usual, I am focused on growing and improving the way I do things and this has lead to some much welcomed developments.

    First off, I'm happy to announce I have started working with photo agent, Freda Scott.  Freda is one of the top photo agents in San Francisco and I'm thrilled to be working with her to grow my business.  She is really passionate about what she does and is helping me take things to the next level by sharing my work with her networks, helping me with estimates, and all other things related to marketing and producing shoots.  Here is an article Freda did about me on LinkedIn.

    Besides doing my day to day work, I have been busy helping a new cookware line with their launch.  But, this isn't just your average cookware line.  It is technology making a difference in people's lives around cooking.  Through the use of a sensor-enabled pan, pot, and induction burner Hestan Cue connects cookware to your smart device and controls temperature for you according to the recipe you are making.  I have been photographing 100+ delicious recipes to go with their app, which will also include step by step video recipes.  I have helped them establish their visual style and consulted on such things as props, social media, motion, and overall marketing.  And I've been able to use my "bring food to life" approach to the photography I have done for them.  Take a look below!


  • Bringing Food to Life

    I don't know about you, but there is so much static imagery of food out there it makes me lose my appetite.  I am always thinking to myself, "How can I as a photographer breathe new life into the food I'm photographing?  How can I help people be excited about food and drinks?"

    Part of how I do that is to go beyond the plated dish and dig deeper into the kitchen or bar and observe how food and drinks are prepped.  You'll find a lot of active things going on.   For a recent shoot at La Mar Cebicheria Peruana in SF we did just that.  General Manager Thomas Medl was tired of the same old static imagery and his direction to me was, "the idea of the photo shoot is the capturing of action/emotions into the pictures. Static shots of dishes is not what I am looking for."  I accepted his suggestion with open arms and we built a shot list that included many of the active things that go on in the kitchen.  Thanks to the team at Wagstaff Worldwide for being so great to work with!

  • The One and Only Top-Down Shot

    You're seeing it all over the food world these days, the top-down shot is hugely popular. 4-5 years ago people said it was "only a way they shoot in editorial". Now, so many of my commercial clients are eating it up. I keep waiting for it to get out of fashion, but my clients keep asking for it.  I think it may be here to stay.

    So what is all the fuss about?  Why do people like these shots so much?  Everyone may have their theories:  It may be an Instagram generation thing or people love the idea of being able to get a bird's-eye view of all the goodies they're about to eat. I know I like it because I would go nuts if all my images were taken from the point of view of standing on the ground. I've been standing on tables and chairs to get a different perspective ever since my beginning photo class ages ago.

    So you might think, "Great, let's shoot a few ourselves." Why not, but here is some advice before taking on the task along with some top-down images from some shoots this month at restaurants Cafe Eugene and La Mar (top two images):

    - Shooting hand-held vs. using a large tripod.  Shooting hand-held has the potential of giving you a serious backache by the end of the shot since you will probably be using a ladder and bending over. But hand-held gives you more flexibility to adjust the shot and change the angle quickly.  

    - Prepare more dishes than you think you'll need.  You might choose not to use some dishes, but you can add the unused food to your hand models' plates. It's nice to have options.

    - Give yourself adequate time on the shot list.  Don't be fooled by what looks like an easy shot. These shots take lot's of patience and attention to details.

    - Think of a certain theme for the food.  Whether it's bar bites, or dinner entrees, brunch food, or 5 different kinds of ceviches, etc.

    Have some stand-ins.  Start arranging plates and/or glassware ahead of time so you can setup without worrying about the food or drinks going bad.  

  • One Step Further: Food, Color, & Design

    Have you seen the Chef's Table series on Neflix?  One of my favorite quotes was from the episode with Chef Magnus Nilsson. He said, "Go and explore the things you're intrigued and interested in.  Actually go investigate them."  I now have the quote as the screensaver on my computer and it inspired me to go outside of my box for this latest series.  

    Color, lines, and shapes are some things I'm constantly thinking about in my imagery and I decided to take it a step further after seeing these images in Gather Journal.  I went to the local salvage yard and found objects like floor tiles, an old rusted doorknob, a glass traffic light cover, etc.  Then juxtaposed them with matching colors of fruits and vegetables.  Quite a fun investigation.  Happy Holidays and have a wonderful New Year!

  • The Importance of Post-Production

    I hope you had a wonderful Summer.  As Fall is in full swing I've already been enjoying a lot of persimmons (one of my favorite fruits).  

    I would like to talk about the subject of Post-Production using one of my latest projects, Oro, a new restaurant by Chef Jason Fox (Commonwealth) and restaurateur Timothy Felkner.  

    Post-Production often gets undervalued in many cases these days, but it can be a significant factor in helping a business define its brand.  I spend a lot of time experimenting with different tones on many of my images.  Some images can look fine without anything being done to them, but it's worth the extra exploration to give images that extra stylistic touch.  

    Below, you can see Oro bartender, Randy Mariani, in 4 different tone examples, with the image at bottom left being the original untouched version.  I ended up liking the top left image the best as it gives it a comfortable cinematic feel.  Which one do you like best?

  • Images Made to Last

    When a new website goes up it's expected the images will last a while.  However, when it comes to restaurants in San Francisco menus change frequently and restaurants want images on a site that won't feel outdated with the change of the seasons.  In the case of working on the website redesign for Boulevard in San Francisco with designer Jon Michaelsen we made images of plated dishes, but also added more timeless shots like a pasta prep image, Mise en Place, and a detail of fresh mushrooms.  Not only did it give us variety in the imagery, but also gave us the opportunity to peak inside the kitchen of one of San Francisco's top restaurants.